", "Colm Tóibín turns Greek Myths into flesh and blood..The writing is characteristically elegant, spare and subtle. Agamemnon mostly comes across as a blandly driven man who “was an image of pure will.” The real conflict exists with his wife and children who are understandably overwrought by emotions because of the heinous actions of their family members. The sickly, sugary smell that wafts in the wind towards the rooms in this palace' - "sugary"? When Clytemnestra, Agamemnon's wife, and Iphigenia arrive though they quickly find out that Iphigenia is actually there to be sacrificed to the gods to ensure victory. He has edited ‘The Penguin Book of Irish Fiction’. In ancient Mycenae? It’s somewhat funny looking back to my last review of a Tóibín novel when I read “Nora Webster” a few years ago. The narrative also charts what seems to be a societal shift from a polytheistic civilization to one which is more atheistic – as well as a change from feudalism to one which isn’t so domineering towards serfs and slaves. The lowest-priced brand-new, unused, unopened, undamaged item in its original Instead they literally carry on in ghost-like forms to haunt the spaces where the intense dramas of their lives occurred. After Clytemnestra murders her husband — and then defiantly leaves his corpse out in the open and goes to a previously scheduled state dinner — we shift perspectives to Orestes. This is a somewhat disappointing re-imagining, in prose form, of the story of the doomed House of Atreus, drawing primarily on Aeschylus's trilogy. Nonetheless, they heard her muffled screams.". Instead he flips between the accounts of Agamemnon’s scheming wife Clytemnestra, imperious daughter Electra and young son Orestes. Probably the most sympathetic character in this drama is young Orestes who finds himself a pawn in his family’s scheming until he’s a bit older and takes things into his own hands. His prose is always a pleasure to read, and its deceptive simplicity works especially well here as a stark contrast to the terrible acts of violence he is describing. It is difficult to find my words when there is not much to say. Even by the standards of Greek tragedy, it’s bloody, unsettling stuff. So how does Tóibín, a novelist of great restraint, remake this story about restraint unbound? His other novels are: ‘The Heather Blazing (1992, winner of the Encore Award); ‘The Story of the Night’ (1996, winner of the Ferro-Grumley Prize); ‘The Blackwater Lightship’ (1999, shortlisted for the IMPAC Dublin Prize and the Booker Prize and made into a film starring Angela Lansbury); ‘The Master’ (2004, winner of the Dublin IMPAC Prize; the Prix du Meilleur Livre; the LA Times Novel of the Year; and shortlisted for the Booker Prize); ‘Brooklyn’ (2009, winner of the Costa Novel of the Year). Clytemnestra rules Mycenae now, along with her new lover Aegisthus, and together they plot the bloody murder of Agamemnon on the day of his return after nine years at war. Electra, their other daughter, who was running everything in Agamemnon's absence is shocked by her sister's death but doesn't seem to hold Agamemnon responsible in the way that Clytemnestra does. To see what your friends thought of this book. But as a reader, it can be a bit sticky going to wade into this world of retellings, especially if one is a lover of the source material. full terms and conditions and this month's choices, 12 Immersive Reads About Families: the Good, the Complicated, and the Crazy, 7 Historical Novels That Bring Ancient Worlds to Life, 8 Books for Grownups Who Love Fairytales and Folklore, Revitalizing the Classics: 8 Literary Retellings You’ll Love. As readers of “Brooklyn” and “Nora Webster” can attest, Tóibín has done this before. Moving between their points of view he shows how their downfall is fuelled by their various ambitions and craven need for revenge. Her sympathetic first-person narrative makes even murder, for a moment, seem reasonable (...) Tóibín's prose is precise and unadorned, the novel's moments of violence told with brutal simplicity. This novel is a retelling of the murder of Agamemnon, the Greek army leader and king who, at the beginning of the Trojan War, sacrificed his oldest daughter Iphigenia so that the Greek ships could sail to Troje. Plus, receive recommendations for your next Book Club read. He Surely the Greek myth of warrior-king Agamemnon and his downfall must be the story of the most dysfunctional family in history. And then a chain-reaction of blame, revenge and guilt followed, and drove this house to ruin, giving Colm Tóibín (and few others before him) a perfect subject to explore. I have to admit that I don't immediately know what Toibin aimed at with this book. Colm Toibin was born in Enniscorthy, Co. Wexford in 1955. In House of Names, Colm Tóibín brings a modern sensibility and language to an ancient classic, and gives this extraordinary character new life, so that we not only believe Clytemnestra’s thirst for revenge, but applaud it. When he returned to Ireland in 1978 he worked as a journalist for ‘In Dublin’, ‘Hibernia’ and ‘The Sunday Tribune’, becoming features editor of ‘In Dublin’ in 1981 and editor of Magill, Ireland’s current affairs magazine, in 1982. They separately struggle with their belief in the gods and how the gods’ actions play upon human emotions. So let’s instead acknowledge Tóibín’s brilliant version of this story — and then go back to the weird brilliance of the original. It is told through the perspective of Clytemnestra, her son and daughter, Orestes and Electra, and the ghost of Clytemnestra. Who would want to say such an artistic appropriation, especially one done so well, is off limits? While some tales are old as time, every so often a writer comes along with a fresh take that can make us see a familiar story in a completely... On the day of his daughter's wedding, Agamemnon orders her sacrifice. House of Names - Colm Toibin - 洋書の購入は楽天ブックスで。全品送料無料！購入毎に「楽天ポイント」が貯まってお得！みんなのレビュー・感想も満載。 Colm Tóibín is one of Ireland’s most beloved writers. Video here, pairing this with The Oresteia: This house used to be full of names….
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